Tadashi Kawamata
Tadashi Kawamata, japanese artist. Lives and work in Paris. Obtained a doctorate from the Tokyo
university of arts in 1984.
Taken part in numerous international exhibitions like the Venice Biennale and documenta in Kassel.
Teaches at the Ecole nationale superieure des Beaux-Arts in Paris.
Chosen Work
Under the water, Centre pompidou-Metz (2016).
Under the water, Centre pompidou-Metz (2016).
This powerful and undulating wave of wood, erected in the forum, strikes the visitors with its spectacular dimension. Created with used furniture, this installation is a recollection of the catastrophes and tsunami that severely hit Japan in 2011. Silent monument thought to fit the forum scale, this installation alludes to rogue waves, those gigantic and exceptional water walls that spontaneously appear on the surface of the oceans.
Overflow, Lisbon’s museum of art, architecture and technology (MAAT).
The large-scale commission is made up of plastic waste as well as boats, collected on the country’s coastline by the volunteer clean-up group, Brigada do Mar. At a time when we must get a grip on our impact over nature’s stability, and overcome indifferences and incredulity at this topic.
Scientific background
Review of plastic footprint
methodologies.
- Laying the foundation for the development of a
standardised plastic footprint measurement tool.
Of the 8,300 million tonnes (Mt) of plastic pro-duced from 1950 to 2015, only 7% has been re-cycled while more than half has been discarded in landfill or leaked into the environment . Plastic leakage into the environment demonstrates a systemic failure of the take-make-dispose con-sumption model and makes clear the need for a shift towards more circular material flows . With 10 Mt of plastics leaking into the ocean annually (Boucher & Friot, 2017) from a variety of sourc-es, improving the circularity of plastic flows, from source-to-sea is key . Companies, organisations, and governments are taking measures to tackle plastic pollu-tion . However, as recognised during the Third United Nations Environment Assembly (UNEA-3, Nairobi, 2017), there is currently no standard methodology to measure the extent of the plas-tic problem . Countries and other stakeholders were encouraged to “cooperate to establish common definitions and harmonized standards and methodologies for the measurement and monitoring of marine litter and microplastics” .Only if equipped with credible, salient and legiti-mate data and analyses can decision-makers un-derstand their current status, set targets, agree and implement actions, and track progress to-wards targets over time.
The production, use, waste and leakage of plas-tics has a range of human health, socio-eco-nomic and environmental impacts . The evidence base on the scope and scale of current impacts is growing . The predicted rise in global plastic production in the next 30 years could exacer-bate those impacts or contribute to new im-pacts . The versatility, durability, malleability, light weight and low cost of plastic provides many benefits to society (Figure 2) . For many appli-cations, plastics can offer lower carbon footprint alternatives than comparable materials (e .g . light plastic packaging versus heavier glass packag-ing) (FOEEUROPE, 2018) .
Plastics enter the ocean and soils from various sources and via various pathways . Two main cat-egories can be identified: the visible macroplas-tics resulting from mismanagement of waste disposal, and the mostly invisible microplastics released from various sources as a result of their use .
Methods
The method used by Tadashi Kawamata is
illustrating qualities of the ocean by using
man made objects. This also helps us being
beware of the stress we put on the ocean by
overconsuming. I think the most interesting
about the art pieces is that it creates
different spatial qualities that is possible
to explore.
The piece is possible to observe from a distance
but also by moving through the piece. It gives
the feeling of exploring the qualities of the
ocean by being safe at land.
Keywords
- Exploring the ocean by the sum of objects.
- Man made junk.
- Overflow.
- Underneath the surface.
- Light through objects.
- Plastic waste.
- Secret spaces.
- Water enclosing landscape.